One of the most challenging aspects of writing is the “in-between”. I may have touched on this in another edition, but fuck it, we’re touching on it again, as there is much in-between in the attractions being featured. The “in-between” is what I call the space between the action, or the deeply emotional shit, the things we as writers are often excited to write. All the planning, plotting, outlining, etc, is designed to give these moments life. But these moments cannot stand alone and have as much impact; nay, they require set up. They require the “in-between”.

This is where we are with Bus Driver: the in-between. They had to make a stop, they learned some things, and now they have to eat. It’s not the most exciting, but it remains important. We’re also here with A Vampire’s Vengeance: Edgar is keen on exploration and discovery, and while this has led to moments of excitement, we are still as much in dark with what’s happened on this planet as he is. And yes, here too do we sit with House, though I daresay Solomon’s journey is just tad bit more interesting, as his environment shifts and changes all around him.

All this to say: please have patience. Creating these attractions is no easy matter, and the slow parts are vital to the fun and interesting parts, so remain with me through the in-between. I promise it gets better.

Now, without further ado, let’s get into it →

Again, I apologize for not having anything more interesting to share here. This too falls in line with the “in-between” mentioned above. There’s a whole lot of boring stuff being built under the hood, but in the long run, this work will lead to far more interest being shared here. For now, please enjoy our usual variety of attractions.