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Welcome backstage my most esteemed guest! Here’s what he have to share with you this edition:

House is back! For a brief moment. If you enjoyed reading House, I do hope you enjoy this portrait of a servant who worked in the house long before Solomon and his wife ever stepped foot inside, in House: A Prologue, this edition’s featured attraction. If you have not yet read House, I encourage to do so. You can start right here.

The Devil Bed takes us through the experience of one antique collector as he hunts down what could a rather valuable piece of furniture of ill-repute. He discovers too late why the bed is called such.

Of course we have the usual columns, with Edgar and Isabelle coming together once again in A Vampire’s Vengeance, and the bus driver making an unexpected acquaintance with a stranger in Bus Driver. You won’t want to miss these two installments.

AI Disclaimer: I want to point out that not a single word of this edition—nor any prior—whether expository or narrative (read: editorial content or stories) has been written with the use of AI. I now feel it entirely necessary to state this fact since AI has become prevalent in a number of ways across society, and I want to reassure you, my dearest guest, that what you consume here is all dreamed up by a human—me—and created by hand, the old fashioned way. Enjoy it as you like, though if you are inclined to attempt to feed my work to any AI model or platform, then I curse you with coffee that will always be either not hot enough, or not cold enough, nothing but red lights when you are in a hurry, and as miserable a death as can be called down upon you. If you don’t feed my work to AI, you can ignore all of that.

Let’s get into it →

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More infrastructure work happened this week? Will it ever end? Eventually, I hope. The exciting thing, really, is this edition’s feature, House: A Prologue, which raises House to the forefront of projects to work on. While it sits in the editorial pipeline, I’m making more work for myself by writing vignettes taking place in the house before the arrival of Solomon. Will these make it into the book? Will they, perhaps, earn a place in its sequel instead? Only time will tell. For now, enjoy the glimpse into the house’s notorious history.

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Edgar and Isabelle rejoin forces. But their meeting occurs under strained circumstances.

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House is back! Kind of sort of maybe ish. This is no narrative of Solomon’s; this predate’s Solomon, though not by much. Come see what life in the House was like before the adventures of our resident dreamwalker.

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Cursed items often have a sordid history attached to them. So why is it that many will outright ignore the history or the warnings and choose to make use of the cursed items anyway?

Well, people ignoring cursed items would make for uninteresting storytelling. Come see what happens when antique collector Henry Ware ignores the warnings of …

Book cover for Calypso. The title is spread across the center toward the top, superimposed over the Mad Alex emblem. The background is a splash of dark colors-yellows, blues, greens, and black. The author's name, 'Mad Alex' is centered at the bottom of the design over text printed in playbill flourish that reads 'presents a tale from the Odds n Endings Boutique.

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The gift of time is, for many, an incredible gift indeed. Unless, of course, it is not a gift at all and arrives with a cost in excess of what one may be willing to pay …A tale from the Odds ‘n’ Endings Boutique.

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Welcome to another installment of Bus Driver! When last we rode with the bus driver and company, they were exiting the highway in search of an open body of water to clean up Jill. You can catch up with Part LI here. But what open body of water exists in the desert where they are? Perhaps they were misled, perhaps no one actually knows. Yet they now roll into Baker, Ca to find someway to remove the viscera and stench from Jill. Let’s see how this shakes out →

Background is burst of alternating reddish-orange and tan ray coming out from the center of the image. Over this is the Mad Alex emblem, over which is placed the silhouette of a charter bus in a burnt orange. The text "Bus Driver" is boldly displayed to the right.

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