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Welcome to another Backstage extravaganza! Have you, perhaps, been to the Calamity gift shop, the Odds ‘n’ Endings Boutique? Yes? No? It’s not your ordinary kind of gift shop. The Proprietor is no ordinary kind of shop clerk. And the wares are not your ordinary gift shop fare. Everything is quite magical, and all of it is exceptionally dangerous.

Kind of makes you want to go check it out even more, doesn’t it?

If you haven’t, visit the attraction titled 🔪 Treachery in the Alley, which features an item acquired from the Boutique. You’ll get the idea. When you have done that, you’ll have a better idea of the challenges Mr. Ferguson and his tiny community may face when the truth of his own acquiistion comes to light, in 👺 Scarecrow.

This is but an introduction, however, and not the full story, which I expect will be released before the year is out. Keep an eye on Under Construction in later editions for more details.

Everything else is here for your displeasure and enjoyment. The vampires may have found a way into the ship in A Vampire’s Vengeance; Awareness, or a severe lack of it, plays an important role in this edition’s classic horror feature, The Scarf of the Beloved; and the group finds a place to hunker down as they await the plane’s arrival in Bus Driver.

As a final thought, I want to point out that not a single word of this edition—nor any prior—whether expository or narrative (read: editorial content or stories) has been written with the use of AI. I now feel it entirely necessary to state this fact since AI has become prevalent in a number of ways across society, and I want to reassure you, my dearest guest, that what you consume here is all dreamed up by a human—me—and created by hand, the old fashioned way. Enjoy it as you like, though if you are inclined to attempt to feed my work to any AI model or platform, then I curse you with coffee that will always be either not hot enough, or not cold enough, nothing but red lights when you are in a hurry, and as miserable a death as can be called down upon you. If you don’t feed my work to AI, you can ignore all of that.

Let’s get into it →

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rectangular block of burnt orange with the words Under Construction in tan
rectangular block of tan with the word Horrorverse in burnt orange
rectangular block of burnt orange with the word Prologue in tan
rectangular block of tan with the words The Calamity in burnt orange
rectangular block of burnt orange with the words Bus Driver in tan
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This week was spent more in ideation and project management than actual writing. More of the foundational knowledge for the Conglomerate was notated. A new task system is in the process of being implemented. I really am doing my very best to write write write while becoming better organized. This publication is quite a bit of work on its own, let alone the myriad of projects in the works, thus the importance of organization! And the improvement of such a system, as the tenuous foundation is not enough to support the growing worlds and universes which will eventually exist in the Calamity. So, please bear with me! The Conglomerate is coming, and I hope to produce Treachery in the Alley, Scarecrow, and Body Count—all Odds ‘n’ Endings tales, mind you—in the very near future.

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Dark passageways and lighted caverns have paved the way for Isabelle and Edgar to discover a space craft deep underground. But what is it doing here? Come find out how they seek to enter the ship in the hopes of finding answers:

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The old proprietor of the local pawn shop returns one morning with a life-sized burlap doll, and its presence is none too welcome. There seems to be something off about it, though the two individuals who sense it are at pains to describe why that is. Come read the introduction to a new tale from the Odds ‘n’ Endings Boutique:

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Here’s a story that is sure to make you feel intellectually superior. I must admit, I am no fan of horror that banks of the stupidity of its characters, but this takes it to a whole new level. I have decided to feature it anyway, as some features are just to fucking stupid to pass up.

Book cover for The Artist's Spell. The title is stacked, the word 'The' aligned left at the top, the world 'Artist\'s' directly below it, aligned center, and the word 'Spell' directly below 'Artist\'s' aligned right. The Mad Alex emblem is placed next to the word 'The' just above 'Artist\'s.' The author's name, 'Mad Alex' is centered at the bottom of the design. The words and emblem are superimposed on the backdrop of a canvas with smatterings of paint.

on sale now

A patron falls prey to the whimsical magic of a touring artist. Currently available only on Apple Books.

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Welcome to another installment of Bus Driver! When we last rode with the bus driver, Carlos, Jack, and Jill had found a bit of running water to clean Jill up, and some clothes for her to change into. Carlos also found what might turn out to be a good spot to hunker down for the night. You can catch up with Part LX here. Let’s find out with this spot looks like, shall we?

Background is burst of alternating reddish-orange and tan ray coming out from the center of the image. Over this is the Mad Alex emblem, over which is placed the silhouette of a charter bus in a burnt orange. The text "Bus Driver" is boldly displayed to the right.

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