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Attractions in Development
There is much to be said about the rather large body of work comprising the pulp fiction of generations past, particularly with regard to the weird stories and gothic horror beginning with the short stories of Edgar Allen Poe and extending well past H. P. Lovecraft’s lifetime. Much to be said, and almost none of it said here, largely because this is a space to discuss development, not wax poetic on literary analysis!
Why do I bother to bring this up, then? When the Backstage Pass Volume I arrives at its completion, Volume II will bring with it a healthy dose of classic tales of terror from these bygone days of literary pulp. Of course, not just any story will do, not for my highly esteemed guests. Nay, for an attraction to fit well within the Carnival of Calamity, it must bring with it a particular, eh, flavor. Your enjoyment of any attraction—whether developed on the grounds or brought in and featured—is tantamount, and so the process of selection is rigorous.
Stay tuned for more details. Beginning with next week’s edition, design changes will start creeping in, and more information will be shared with the coming contents and distribution of Volume II. For now, please turn your attention to …
The Groundskeeper, Part XXVIII

First time tuning in? Start here.
When we last saw our protagonist, they had taken on the spooky task of sweeping out the mausoleum. After noticing what they were up against in their first foray through the structure, we had to wonder what would possibly take them back! But a job is a job and this Groundskeeper is set on a job well done. Or, at least, done. You can read Part XXVII here. With the mausoleum out of the way, it seems like the rest of the night should be smooth sailing. Let’s see how things turn out.
I don't know how long it takes me to sweep out the mausoleum. As I'm pushing dust out at the other end, I notice the sky beginning to lighten. This gives me renewed energy, and I put in a little more effort to finish up with the mausoleum. Once complete, I stand, holding the broom to one side as if it were a wizard's staff, and look around the clean space with satisfaction. Then I'm heading back to the employee hall to return the broom to its place of rest.
The sky is lightening every so slightly. I expect to hear birds begin their mating calls, but it's eerily quiet in the early morning hours. This may be something I'll have to get used to, given the nature of the location of my work, and all the nonsense I've endured as a result of whatever portals exist in this place.
I arrive at the employee hall and head straight to the closet where I found the broom. No flickering lights this time, no transmission across dimensions. I place the broom in the closet and am about to head to the break room when a chill shoots up my spine and blood drains from my face. It takes a moment before I recognize the source of my distress. Cutting through the walls and rebounding throughout the halls is a sound I had hoped to never hear again:
The warbling from the green mist.
The sound is everywhere. It’s in the walls. It’s in the halls. It’s in my ears and my nose and my teeth. And for a brief moment, I wonder—no fear; I’m absolutely terrified of the idea—that maybe the employee hall is at that moment engulfed in the green mist. I rush to the exit to verify if this is the case and as I throw open the door, I'm not met with the startling wall of dense green fog. No, I'm met with the single most spine-chilling, blood-curdling scene I have ever experienced. I could never have dreamed up something so sordid. Across the road from where I stand is a massive lizard-like creature.
At first glance, it seems to be a crocodile. Or alligator? I don't know, I never bothered to learn the difference. The point being that it is big and scary looking. Looking at it longer allows me to register why this thing terrifies me more than any crocodile (or alligator). Its legs and arms are much longer, spread out and primed for action. It's scales are iridescent, shifting in color as its flesh undulates to the long vibrations of its breath, making it hard to focus on for long periods of time. It's head is shaped like the end of a torpedo, and would come a point if it wasn't at that moment split open in three ways, with its long, powerful, muscular tongue extending from its mouth, wrapping itself around one of the bouquets set on a nearby grave.
Oh. Oh that's why I'm supposed to clear out the flowers, regardless of their state.
The warbling intensifies, joined by another, I don't know, voice? I look down the long road toward the gate and watch as another of these horrific monsters crawls over it and slithers into the cemetery, winding its way toward a nearby grave with an abundance of flowers strewn about its headstone. Their sickening warbling gets louder, and I turn my gaze out past the graves and the tombs to find another skittering over the knoll.
So this is what that single barbaric point on the checklist referred to:
Trespassers.
Well that took quite a turn! How barbaric indeed to shoot trespassers on sight. And yet, now we know these are not your run of the mill trespassers and loiterers. Nay, we have monsters in our midst! And with nary a green mist to contain them. It’s three against one! Will this spell the doom of our protagonist? Only one way to find out! Read Part XXIX here.

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What’s Published and Where You Can Find It
Tales From the Odds ‘n’ Endings Boutique
The Proprietor—a timeless individual of many faces, few scruples, and a whole lot of character—runs the Odds ‘n’ Endings Boutique, dealing in artifacts containing peculiar traits. These are the tales of the Boutique’s patrons.

Calypso
Calypso is the reimagining of Immortality, the first story ever written in the Odds ‘n’ Endings universe, and the third to be published in it. Come and brave the journey with the narrator as they realize too late the cost for an otherwise interesting acquisition. Now available:
Showdown at Sunrise
A merchant finds himself in a bind when he manages to survive a duel. A chance encounter in an odd shoppe may just be the luck he needs. The question is, will this luck hold out?
A western with a little bit of magic and a whole lotta gumption.


Vegas Rift
A woman searches for her long lost husband. This is currently the most popular Mad Alex short story.
Other Stories

The Artist’s Spell cover

Final Encounter Cover
Final Encounter
A parent searches frantically for their daughter who has disappeared in their house.

Postscript
I continue to tease Volume II, I know I know. But how can I not, when I am just so damn excited about it! But you shall understand why in short order. Now, if you are on the butterfly app, come follow me! You can find me on Bluesky here.
