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One of the many things to arise to prominence in recent years is data, and the idea if a thing can be tracked and evaluated, it should be. Never mind the invasive nature of such an idea, it is the data that matters! Not pithy ideals like privacy and security. At least, this is what the collectors of such data would have you believe.

We here at the Calamity take a much more pragmatic approach: we want to collect data on our internal processes to better improve attractions development. The Calamity will be built, but to do so efficiently means to collect and evaluate information on how we operate and how much of what we do can be automated.

Some things will never be automated. Every single fucking word you read in any Calamity publication is hand-written. Every single fucking one. But for everything else? Backups, version control, content catalogs and libraries management … this can all be tracked, evaluated, and automated to some degree, which is what our internal focus is at the moment with the software and plugins we’re developing. We want to automate the boring shit, so we can focus on the fun shit: writing devastatingly terrible stories for your amusement.

Let’s get into it →

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There’s more infrastructure development happening, as usual, as of late. It’s the same update but a different week: A Vampire’s Vengeance, House, and Bus Driver are all moving full steam ahead, while the other writing projects receive minor updates here and there as the project management development progresses. There is a whole system being built to support Calamity construction, and it remains our expectation that the completion of this system will bring unprecedented progress across the various attractions we have been building. As usual, more to come! Keep your eyes on this space for more updates.

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Last week, we met Ceres, with Isabelle and Edgar surprised by her sudden appearance. This week, we see how that begins to shake out:

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With lunch over and his wife on her way back to work, Solomon decides to make another dream dive. What lies in store for him this time?

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This week, we bring you a story that is not quite horror, per se, yet still curious nonetheless. Come drift on the high seas with our fellow Charteris as he wonders if he is, indeed, going mad.

Book cover for The Artist's Spell. The title is stacked, the word 'The' aligned left at the top, the world 'Artist\'s' directly below it, aligned center, and the word 'Spell' directly below 'Artist\'s' aligned right. The Mad Alex emblem is placed next to the word 'The' just above 'Artist\'s.' The author's name, 'Mad Alex' is centered at the bottom of the design. The words and emblem are superimposed on the backdrop of a canvas with smatterings of paint.

on sale now

A patron falls prey to the whimsical magic of a touring artist. Currently available only on Apple Books.

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When we last rode with the bus driver, they had arrived the Trading Outpost, which was formerly the Calico Ghost Town prior to the epidemic. The bus driver and passengers met Manuel, who would be their host for their stay. He led them in to the main restaurant and hotel, which the bus driver would soon discover was caked with infected viscera. You can catch up with Part XX here. Now, how does their visit go? Will they actually have an opportunity to rest? Or will an infected incursion break the quiet before the night’s over? Let’s find out →

Background is burst of alternating reddish-orange and tan ray coming out from the center of the image. Over this is the Mad Alex emblem, over which is placed the silhouette of a charter bus in a burnt orange. The text "Bus Driver" is boldly displayed to the right.

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