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editorial text bracketed by flourishes

One of the more troubling aspects of producing a publication where the attractions are in live development is planning ahead for events and situations that may potentially carve into the efficacy of productivity of said publication. It requires a great deal more planning and focus to compress the effort necessary to create the updates and installments in a condensed amount of time. Such is the case in this week’s edition, and you will find the cost of this compression of effort in our summary column, Under Construction.

However, with regard to our regularly scheduled programming, there is much to see. Ceres, Isabelle, and Edgar are on the move, and Edgar considers a scheme to learn more about the alien Beings in A Vampire’s Vengeance. Solomon, our resident dreamwalker takes a great many steps through a greenhouse that does not seem to want to let him go in House. Clairvoyance, intrigue, mystery, horror, and sorrow are the leading themes in our classic horror guest attraction, The Head in the Window. And finally, we learn of the bus driver’s thoughts with regard to Griselda’s twisted tale in Bus Driver.

Let’s get into it →

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rectangular block of burnt orange with the words Under Construction in tan
rectangular block of tan with the word Horrorverse in burnt orange
rectangular block of burnt orange with the word Prologue in tan
rectangular block of tan with the words The Calamity in burnt orange
rectangular block of burnt orange with the words Bus Driver in tan
rectangular block of tan with the word Survey in burnt orange

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There is not much to share here in this edition, I’m afraid. I am preparing to embark on a little trip to a Carnival of someone else’s construction to enjoy for a few days, thus any and all efforts at production were thrown into ensuring this edition and all of its attendant attractions were shipped on time. So, for now, go and enjoy the attractions below, and prepare for more updates with regard to other attractions in next edition.

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Ceres, Isabelle, and Edgar are on the move! But where are they heading?

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Another visit to the greenhouse for our resident dreamwalker, Mr. Solomon Garcia, prescribed by his handler, no doubt. When will Solomon finally come to terms with the fact that he is not in charge of the dreamspace he traverses? And how will he get out of this mess this time?

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Here is both sorrow and horror in an unhappy tale of clairvoyance, obscurity, and the restless rustlings of evil.

Background is burst of alternating reddish-orange and tan ray coming out from the center of the image. Over this is the Mad Alex emblem, in which an elephant is weaving its tentacles. The text "The Feast in the Abbey" is boldly displayed to the right.

Background depicts a giant tree with gnarled roots spread across the foreground of the bottom of the image, the trunk and branches extending up and out across the rest of the cover. The background is dimmed, with a column of light superimposed upon it. In the upper left, the Mad Alex emblem sits just above the word 'Vegas,' which is set over the word 'Rift.' Across the center, in two lines, are the statement 'A Tale from the Odds n Endings Boutique.' The author's name, 'Mad Alex,' is displayed in the lower right.

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An old woman risks everything to discover what became of her husband. Currently the most popular tale from the Odds ‘n’ Endings Boutique.

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Welcome to another installment of Bus Driver! When last we spent time with the bus driver and his passengers, we sat with rapt attention as Griselda let loose the final details of her story. You can catch up with Part XXIX here. What happens now? How does the bus driver feel about cavorting through the desert on their little trip to Las Vegas? Let’s find out →

Background is burst of alternating reddish-orange and tan ray coming out from the center of the image. Over this is the Mad Alex emblem, over which is placed the silhouette of a charter bus in a burnt orange. The text "Bus Driver" is boldly displayed to the right.

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