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Some weeks, filling this section out is a bit of a challenge, because how do we promote excitement and enthusiasm in what follows when the content doesn’t change that much from one edition to the next? If you follow this publication closely, then you know what to reasonably expect from one edition to the next, so bringing in some hype from the top is a little bonus. If you don’t follow closely and often spend time catching up, the experience isn’t that much different, as you consume one edition to the next, back to back. But what happens when, aside from the new chapters being published for our ongoing serials, there is little if anything to update with regard to the rest of the Carnival?

The short answer is “I don’t know.” I’m always very excited about sharing updates for attractions, but lack that same enthusiasm in writing the editorials, because this is, in a word, challenging.

You may ask, “Ah, but Mad Alex, are you not a writer? Should not the words flow with ease when you summon them forth?” to which I respond with “Nay, the words rarely ever obey my summons.” The simple truth is that even when I have a clear idea of what to write, I must pry the right words from their resting place; the words do not often come of their own accord. This is the reality in the process of writing as I have come to experience it, which is as relevant to the half-built attractions you wander among as the scaffolding itself.

But enough of this. You have come to enjoy the fruits of our development! So let us showcase what we have in store for you in this edition: Isabelle and Edgar remain in the dilapidated urban landscape, and we are provided clues as to what has transpired in this edition’s installment of A Vampire’s Vengeance. Our dear Mr. Solomon Garcia finds himself charging headlong into the dream he’s bound within in House. We present a terrible story of brutality and indifference in our classic horror column, with The Mystery of Black Jean. And of course, no Backstage Pass Vol II edition is complete without an update from Bus Driver.

Let’s get into it →

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rectangular block of burnt orange with the words Under Construction in tan
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rectangular block of burnt orange with the word Prologue in tan
rectangular block of tan with the words The Calamity in burnt orange
rectangular block of burnt orange with the words Bus Driver in tan
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The holidays make consistency rather difficult, as routines are torn to shreds amidst all the chaos. That being said, we did still find time to progress through Groundskeeper, completing the editing in another chapter and beginning the editing on the following one. Slow and steady she goes, with the hope that we will see the opening of this attraction in the early parts of the new year. Please keep your fingers crossed, as we would like to delay Groundkeeper’s launch as little as possible.

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As mentioned in the Editorial, Isabelle and Edgar are out and about, and this time, they run into a bit trouble:

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Mr. Solomon Garcia might be in over his head, but he doesn’t know it yet. Maybe the mysterious figure he meets can help him sort himself out before the presence in the house consumes him:

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There’s no cunning. No spirits. No cosmic horror. No monsters from the abyss. This week, the only monsters are the humans themselves:

Book cover for The Artist's Spell. The title is stacked, the word 'The' aligned left at the top, the world 'Artist\'s' directly below it, aligned center, and the word 'Spell' directly below 'Artist\'s' aligned right. The Mad Alex emblem is placed next to the word 'The' just above 'Artist\'s.' The author's name, 'Mad Alex' is centered at the bottom of the design. The words and emblem are superimposed on the backdrop of a canvas with smatterings of paint.

on sale now

A patron falls prey to the whimsical magic of a touring artist. Currently only available on Apple Books.

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When we last spent time on the bus, the bus driver and new found friends were patching up a flat tire and we were back on the bus and back en route to the first stop when the threat of another swarm was raised. You can catch up with Part XVI here. Will the bus driver be able to pull the bus away from the incoming danger? Or will they become overwhelmed by this new wave of infected? Let’s find out →

Background is burst of alternating reddish-orange and tan ray coming out from the center of the image. Over this is the Mad Alex emblem, over which is placed the silhouette of a charter bus in a burnt orange. The text "Bus Driver" is boldly displayed to the right.

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